The Birth of a Nation (1915 – Silent Movie) – One Of The Greatest Controversial Films In The History Of Cinema! 1280px * 720px

File Size:  2.48 GB
License: Unrestricted Public Domain Rights (CopyLeft, GNU)
Year Of Production: 1915
Movie Length: 3h 12m

The Birth of a Nation, originally called The Clansman, is a 1915 American silent drama film directed by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from Thomas Dixon Jr.’s 1905 novel and play The Clansman. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken.

The Birth of a Nation is a landmark of film history. It was the first 12-reel film ever made and, at three hours, also the longest up to that point. Its plot, part fiction and part history, chronicling the assassination of Abraham Lincoln by John Wilkes Booth and the relationship of two families in the Civil War and Reconstruction eras over the course of several years—the pro-Union (Northern) Stonemans and the pro-Confederacy (Southern) Camerons—was by far the most complex of any movie made up to that date. It was originally shown in two parts separated by an intermission, and it was the first to have a musical score for an orchestra. It pioneered close-ups, fade-outs, and a carefully staged battle sequence with hundreds of extras (another first) made to look like thousands. It came with a 13-page “Souvenir Program”. It was the first American motion picture to be screened in the White House, viewed there by President Woodrow Wilson.

The film was controversial even before its release and has remained so ever since; it has been called “the most controversial film ever made in the United States”. Lincoln is portrayed positively, unusual for a narrative that promotes the Lost Cause ideology. The film portrays African Americans (many of whom are played by white actors in blackface) as unintelligent and sexually aggressive toward white women. The film presents the Ku Klux Klan (KKK) as a heroic force necessary to preserve American values and a white supremacist social order.

In response to the film’s depictions of black people and Civil War history, African Americans across the nation organized and participated in protests against The Birth of a Nation. In places such as in Boston where thousands of white people viewed the film, black leaders tried to have it banned on the basis that it inflamed racial tensions and could incite violence. The NAACP spearheaded an unsuccessful campaign to ban the film. Griffith’s indignation at efforts to censor or ban the film motivated him to produce Intolerance the following year.

In spite of its divisiveness, The Birth of a Nation was a huge commercial success and profoundly influenced both the film industry and American culture. The film has been acknowledged as an inspiration for the rebirth of the Ku Klux Klan, which took place only a few months after its release. In 1992, the Library of Congress deemed the film “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry.

Plot:

The film consists of two parts of similar length. The first part closes with the assassination of Abraham Lincoln, after which there is an intermission. At the New York premiere, Dixon spoke on stage between the parts, reminding the audience that the dramatic version of The Clansman appeared in that venue nine years previously. “Mr. Dixon also observed that he would have allowed none but the son of a Confederate soldier to direct the film version of The Clansman.”

Part 1: Civil War of United States

Film’s portrayal of John Wilkes Booth assassinating President Abraham Lincoln.

The film follows two juxtaposed families. One is the Northern Stonemans: abolitionist U.S. Representative Austin Stoneman (based on the Reconstruction-era Representative Thaddeus Stevens of Pennsylvania), his daughter, and two sons. The other is the Southern Camerons: Dr. Cameron, his wife, their three sons and two daughters. Phil, the elder Stoneman son, falls in love with Margaret Cameron, during the brothers’ visit to the Cameron estate in South Carolina, representing the Old South. Meanwhile, young Ben Cameron (modeled after Leroy McAfee) idolizes a picture of Elsie Stoneman. When the Civil War arrives, the young men of both families enlist in their respective armies. The younger Stoneman and two of the Cameron brothers are killed in combat. Meanwhile, the Cameron women are rescued by Confederate soldiers who rout a black militia after an attack on the Cameron home. Ben Cameron leads a heroic final charge at the Siege of Petersburg, earning the nickname of “the Little Colonel”, but he is also wounded and captured. He is then taken to a Union military hospital in Washington, D.C.

During his stay at the hospital, he is told that he will be hanged. Also at the hospital, he meets Elsie Stoneman, whose picture he has been carrying; she is working there as a nurse. Elsie takes Cameron’s mother, who had traveled to Washington to tend her son, to see Abraham Lincoln, and Mrs. Cameron persuades the President to pardon Ben. When Lincoln is assassinated at Ford’s Theatre, his conciliatory postwar policy expires with him. In the wake of the president’s death, Austin Stoneman and other Radical Republicans are determined to punish the South, employing harsh measures that Griffith depicts as having been typical of the Reconstruction Era.

Part 2: Reconstruction:

Stoneman and his protégé Silas Lynch, a psychopathic mulatto (modeled after Alonzo J. Ransier and Richard Howell Gleaves), head to South Carolina to observe the implementation of Reconstruction policies firsthand. During the election, in which Lynch is elected lieutenant governor, blacks are observed stuffing the ballot boxes, while many whites are denied the vote. The newly elected, mostly black members of the South Carolina legislature are shown at their desks displaying extremely racist stereotypical behavior, such as one member taking off his shoes and putting his feet up on his desk, and others drinking liquor and feasting on fried chicken.

Hooded Klansmen catch Gus, portrayed in blackface by white actor Walter Long.

Meanwhile, inspired by observing white children pretending to be ghosts to scare black children, Ben fights back by forming the Ku Klux Klan. As a result, Elsie, out of loyalty to her father, breaks off her relationship with Ben. Later, Flora Cameron goes off alone into the woods to fetch water and is followed by Gus, a freedman and soldier who is now a captain. He confronts Flora and tells her that he desires to get married. Frightened, she flees into the forest, pursued by Gus. Trapped on a precipice, Flora warns Gus she will jump if he comes any closer. When he does, she leaps to her death. Having run through the forest looking for her, Ben has seen her jump; he holds her as she dies, then carries her body back to the Cameron home. In response, the Klan hunts down Gus, tries him, finds him guilty, and lynches him.

Lynch then orders a crackdown on the Klan after discovering Gus’s murder. He also secures the passing of legislation allowing mixed-race marriages. Dr. Cameron is arrested for possessing Ben’s Klan regalia, now considered a capital crime. He is rescued by Phil Stoneman and a few of his black servants. Together with Margaret Cameron, they flee. When their wagon breaks down, they make their way through the woods to a small hut that is home to two sympathetic former Union soldiers who agree to hide them. An intertitle states, “The former enemies of North and South are united again in common defense of their Aryan birthright.”

Congressman Stoneman leaves to avoid being connected with Lt. Gov. Lynch’s crackdown. Elsie, learning of Dr. Cameron’s arrest, goes to Lynch to plead for his release. Lynch, who had been lusting after Elsie, tries to force her to marry him, which causes her to faint. Stoneman returns, causing Elsie to be placed in another room. At first Stoneman is happy when Lynch tells him he wants to marry a white woman, but he is then angered when Lynch tells him that it is Stoneman’s daughter. Undercover Klansman spies go to get help when they discover Elsie’s plight after she breaks a window and cries out for help. Elsie falls unconscious again and revives while gagged and being bound. The Klan gathered together, with Ben leading them, ride in to gain control of the town. When news about Elsie reaches Ben, he and others go to her rescue. Elsie frees her mouth and screams for help. Lynch is captured. Victorious, the Klansmen celebrate in the streets. Meanwhile, Lynch’s militia surrounds and attacks the hut where the Camerons are hiding. The Klansmen, with Ben at their head, race in to save them just in time. The next election day, blacks find a line of mounted and armed Klansmen just outside their homes and are intimidated into not voting.

The film concludes with a double wedding as Margaret Cameron marries Phil Stoneman and Elsie Stoneman marries Ben Cameron. The masses are shown oppressed by a giant warlike figure who gradually fades away. The scene shifts to another group finding peace under the image of Jesus Christ. The penultimate title is: “Dare we dream of a golden day when the bestial War shall rule no more. But instead—the gentle Prince in the Hall of Brotherly Love in the City of Peace.”

 

 

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